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    <loc>https://www.blueprintensemble.org/about</loc>
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    <lastmod>2025-01-15</lastmod>
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      <image:title>About - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>About - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>About - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>About - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>About - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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  <url>
    <loc>https://www.blueprintensemble.org/home</loc>
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    <lastmod>2025-02-11</lastmod>
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    <loc>https://www.blueprintensemble.org/classical</loc>
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    <lastmod>2022-02-25</lastmod>
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      <image:title>Classical Revolutions - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>Classical Revolutions - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/61fc3626bad44d2101a6076a/ccc00524-c2db-44c3-9166-f6d26e4e87c1/Krenz.jpeg</image:loc>
      <image:title>Classical Revolutions - Daniel Krenz</image:title>
      <image:caption>Conductor &amp; Composer Daniel Krenz is the founding Music Director of the Blueprint Ensemble, the Assistant Rehearsal Conductor for the Belmont University Opera Theatre, and a contributing composer for the Nashville Composer’s Collective.  In 2021 he participated in the  Domaine Forget de Charlevoix International Music Festival, the Parnu Music Festival, and the Cabrillo Festival of Contemporary Music where he studied with numerous teachers including Bramwell Tovey, Yannick Nézet-Séguin, and Paavo Järvi. During his studies in Boston Daniel co-created Mahlermania! a festival dedicated to the life and work of Gustav Mahler. The festival culminated in a partial re-creation of Arnold Schoenberg’s 1913 Skandalkonzert where he led mezzo-soprano Rebecca Printz in Zemlinsky’s Maeterlinck Songs, Berg’s Altenberg Lieder, and Mahler’s Kindertotenlieder. In 2019 he made is operatic debut at the 23rd annual Opera Fringe Festival leading a run of performances of John Musto’s Later the Same Evening. Previously he served as the Assistant and Offstage Conductor for a joint production between the Glimmerglass Festival and Boston University in Janàcek’s The Cunning Little Vixen.</image:caption>
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      <image:title>Classical Revolutions - Stefan Freund</image:title>
      <image:caption>Stefan Freund received a BM from Indiana University and an MM and a DMA from the Eastman School of Music. He is presently Professor of Composition at the University of Missouri. Previously he was Assistant Professor of Composition at the Eastman School of Music. Freund is the recipient of prizes from BMI, ASCAP, MTNA, MU, and the National Society of Arts and Letters. He has received commissions from the Barlow Endowment, Carnegie Hall Corporation, the Lincoln Center Festival, the New York Youth Symphony, Town Hall Seattle, the Pittsburgh New Music Ensemble, Sheldon Concert Hall, and other ensembles and venues. His music has been performed by ensembles such as the St. Louis Symphony, the Phoenix Symphony, and the Copenhagen Philharmonic. Internationally, Freund’s music has been played in ten European countries, Canada, Mexico, and Puerto Rico. His works have been recorded on the Albany, Innova, Crystal, Centaur, and New Focus labels. Freund is the founding cellist of the new music ensemble Alarm Will Sound, described by the New York Times as “the future of classical music.” His cello playing can be heard on 18 released albums featuring Alarm Will Sound. In addition, he serves as the Artistic Director of the Mizzou New Music Initiative and the Music Director of the Columbia Civic Orchestra.</image:caption>
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      <image:title>Classical Revolutions - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>Classical Revolutions - Igor Stravinsky</image:title>
      <image:caption>Stravinsky was born on June 17, 1882, Oranienbaum, Russia and died on April 6, 1971, New York, N.Y. Son of an operatic bass, he decided to be a composer at age 20 and studied privately with Nikolay Rimsky-Korsakov (1902–08). His Fireworks(1908) was heard by the impresario Sergey Diaghilev, who commissioned Stravinsky to write the Firebird ballet (1910); its dazzling success made him Russia’s leading young composer. The great ballet score Petrushka (1911) followed. His next ballet, The Rite of Spring (1913), with its shifting and audacious rhythms and its unresolved dissonances, was a landmark in music history; its Paris premiere caused an actual riot in the theatre, and Stravinsky’s international notoriety was assured. In the early 1920s he adopted a radically different style of restrained Neoclassicism—employing often ironic references to older music—in works such as his Octet (1923). His major Neoclassical works include Oedipus rex (1927) and the Symphony of Psalms (1930) and culminate in the opera The Rake’s Progress (1951). From 1954 he employed serialism, a compositional technique. His later works include Agon (1957)—the last of his many ballets choreographed by George Balanchine—and Requiem Canticles (1966). - From the online Britannica Encyclopedia</image:caption>
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      <image:title>Classical Revolutions - Don Freund</image:title>
      <image:caption>Don Freund has been described as “ a composer thoughtful in approach and imaginative in style” (The Washington Post), whose music is “exciting, amusing, disturbing, beautiful, and always fascinating” (Music and Musicians, London). He is an internationally recognized composer with works ranging from solo, chamber, and orchestral  music to pieces involving live performances with electronic instruments, music for dance, and large theatre works, and is recipient of numerous awards and commissions including two grants from the National Endowment for the Arts and a Guggenheim fellowship. Don Freund has served as guest composer at a vast array of universities and music festivals, and presented master classes throughout Europe, Asia and South America. A Professor of Composition at Indiana University Jacobs School of Music since 1992, teaching composition continues to be a major component of Freund’s career. His students from 45 years of teaching continue to win an impressive array of awards and recognitions. Freund’s piano concert repertoire extends from new music to complete performances of Bach’s WTC Book I and his own pianistic realizations of Machaut. Up-to-date news on works and performances, and videos, audio files and pdf scores of over a hundred of Freund’s compositions can be found online at DonFreund.com.</image:caption>
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    <lastmod>2022-02-07</lastmod>
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